Friday, August 10, 2018

The “Unattainable High Peak” Satomi Ishihara charms in “Takane No Hana”

Satomi Ishihara is back in the new drama “Takane No Hana” as a pretty girl named Momo Tsukushima. When we first tune in on her, she is in the middle of hurriedly bicycling down to the park…to stalk her ex-fiancé who dumped her on the same day they were married! 
 She is taken away by the police and once she is released, she is picked up via limousine(!) by her mother (Naho Toda) and little sister Nana (Kyoko Yoshine), and we learn that Momo is the daughter of a affluent Ikebana Family. Mother tells Momo to consider her image in the eye of the public but all Momo can remark is that she has to pick up her bicycle, still at the site of her arrest. 
Once she gets to her bike, however, she flees from the family, pedaling off in frustration…til she runs into another bicyclist- causing her to veer off the path…and into the river!
This brings her in contact with a gentle lad named Naoto Kazama (Actor-Musician Kazunobu Mineta). He runs a small Bicycle repair shop along with a genki cosplaying girl named Akiho (played by the adorable Hikaru Takahashi) where he spends the days playing shoji on his phone and taking care of his elderly mother (Yukiyo Toake).
He certainly doesn’t know what to make of this bossy girl who appears at his shop with a destroyed bicycle and a dress covered in mud, but she is a customer and thus he listens to her demands of fixing her bike, getting her some clean clothes and water to rinse off with. 
 Changing out of the muddy clothes, a defeated Momo wonders how she ever got into such a situation.
 The next day, she is woken by sister Nana where they discuss the latest problem threatening the Ikebana Family- there is a new hot-shot Flower Arranger in town named Ryuichi Utsunomiya (Chiba Yudai), who is using garish methods of ikebana to scoop up all the new hopefuls and steal all the business from other arrangers. 
Momo is called up to the house by her father, the patriarch of the Tsukushima Ikebana School, Ichimatsu Tsukushima (Fumiyo Kohinata), where she expects to be chided for her stalker arrest the other day, but rather, father tells her that he knows how hurt she was when her fiancé dumped her at the altar, and suggests the only way to reset her heart is to take some time off and dabble in a relationship that is a bit more frivolous and low-key…(you can see where this is going) Momo doesn’t think something like this is practical, but Father says she should try it and only then will she know if what she felt in the first place was true love.
The next day Momo returns to check up on the condition of her bicycle and she finds that not only has Naoto’s mother passed away, but he is in the middle of an omiai!!!
Later they defer to the neighborhood bar where Naoto’s friends hang out. They poke fun at Naoto’s omiai, and while on the subject of beauty, rank Momo a 4…and mistakenly believe she is a hostess at a cabaclub! Momo takes this in stride, even mocking a sweet voice, saying, I’ll make sure you get a free bottle of champagne when you drop by! LOL 
Meanwhile things are brewing with the Flamboyant Flower Arranger Utsunomiya, who has requested a meeting with Momo’s Father and Mother. They are stunned when he reveals that he is not there to challenge them but instead make a suggestion of alliance…though marriage! But which daughter does he favor? 
The next day Momo is back at Naoto’s, and after some time slaving away at it, her bicycle is as good as new! 
They go to the bar afterwards, and through some serious chatter, Momo finally confides her problems. She reveals that the reason her fiancé dumped her is because he found out his ex got pregnant and couldn’t abandon her. Though frustrated, she admits that it was the only solution if it was going to be between her or getting rid of the pregnancy. But she just cannot get over him! Naoto explains to her that only a good woman would love someone she should hate, and they all agree.
Cheered up, Momo joins them in a marathon drinking-karaoke session til she finally passes out! The next day she is awoken to a humble, traditional Japanese breakfast and Naoto tells her his omiai got rejected! The two laugh it over, and Momo realises she sees something in Naoto- this is the beginning of a beautiful friendship!
 Awwww yisss, Our Satomi is back in action!!! People online have already been complaining that the storyline for Takane No Hana seems entirely cliched, but so what? When you get right down to it, all I want to see is an enjoyable rom-com to relax with, and Satomi is totally in her element here, looking as beautiful as ever, in the prettiest of outfits, tossing that hair around and flashing that smile like nobody’s business!!
Posted by zdorama @ zdoramaagain.blogspot.com

Tuesday, August 7, 2018

Love Economics with Haru in "Survival Wedding"

Yusuke Iseya and Haru in Survival Wedding
Just stared watching the absolutely sweet romance drama “Survival Wedding” starring the always engaging Haru as Sayaka Kuroki,  an almost-thirty magazine writer who leaves her job to get married, only to find herself cheated on and dumped by her fiancé Kazuya (Shunsuke Kazama), and suddenly without a job and mounting bills to pay!
 
 
 
 
Sayaka tries to get her old job back, but of course the position has been filled. “I’ll do anything!” she pleads, and so it is that she is introduced to Hiroto Usami (Yusuke Isaya, last seen by me in the hilarious “Kangoku No Ohimesama”), the Chief editor of a high-class magazine RIZ who tells her he can hire her for his magazine…but it will be to write a column for 30-ish women seeking marriage…and if Sayaka HERSELF doesn’t get married in six months, she will be FIRED!
 
 
 
 Sayaka at first refuses. she says she can’t possibly do such a job, and even if she could, she can’t get over Kazuya so soon. Usami suggests she try getting back with her fiancé and marrying him. But Sayaka doesn’t have the confidence to win him back, and it’s here that Usami takes the reins of the situation, and, using marketing brand techniques and schemes used in the high-fashion world, begins schooling Sayaka in ways she can “upgrade her value” and ultimately win back her man, get married, and keep her job!
 
 
Things start off uneasily as Sayaka’s first lesson is to ignore her fiance for a solid two weeks while she works for the magazine as a perennial “gofer”. She struggles with the new demands of magazine (buying bentos for photoshoots, delivering manuscripts, etc) while having to ignore the texts from Kazuya.
 
  
 
She thinks this is a scatterbrained idea- “Why should I listen to this 40 year old guy with such a weird haircut?!” she sputters over drinks to her co-workers (Risa Sudo and Maryjun Takahashi), but they tell her that while Usami uses unorthodox methods, his success in the magazine proves he knows what he’s talking about. And just as the two weeks are up, she gets a call from Kazuya, desperate to met up with her! Usami’s plan worked!
 
 
She agrees to meet up with Kazuya, but Usami has MORE restrictions she has to adhere to if she wants to truly win her fiancé back. Meet for only a half hour. Say you are meeting up with an acquaintance. And DO NOT look back when leaving. But poor Sayaka, still madly in love with Kazuya, struggles to follow the plans. This winning back her love thing will be harder than it seems!
 
 
 
 
 
Survival Wedding takes me back to the more innocent days of J-drama storylines circa 1993-1995 where they take a whimsical plot of romance, add in a few charismatic actors and actresses, and then set it off running. You can almost guess where the story is going most of the time, but you are always charmed and engaged!
Sayaka is a very lovable character, and even in her capacity as a gofer, her sweetness shines through, (especially in one scene where she is offering a bento to a guy in a Polar Bear costume, which will figure more in later episodes)...
 
...but it’s her interactions with her boss Usami that really steals the show- the two are such polar opposites and their banter is fun and interesting...Looking forward to seeing where this show takes them!
Posted by zdorama @ zdoramaagain.blogspot.com

Tuesday, July 10, 2018

Isle Of Dogs

I love the films of Wes Anderson and his quirky brand of directing has resulted in many of his works entering my faves of all time, especially The Royal Tenenbaums,. I also, as you all know, love Japanese culture, re: J-pop, J-Movies and of course J-Dramas, and I was excited to see this blend of two of my favorite things in Wes Anderson's latest film "Inu Gu Shima~Isle Of Dogs", a film about a Japanese boy going to rescue his dog when all dogs are exiled to an island due to a plague scare...
The first clip I ever saw of this movie was this excerpt of a sushi chef slicing and dicing up a plate of sushi, and I was thrilled by how great it looked...
I have to say though, having just finished watching the movie...that I was underwhelmed.
Sure, it was very detailed with bits of Japan,, but them being in Japan seemed so secondary. I mean, though the background characters speak Nihongo (with the voice of Frances McDormand voicing over the important parts in English) all the dogs not only speak only in English, but have English names. I'm not sure why this even needed to be set in Japan? And having the hero of the show be a feisty white girl exchange student just...bugged me?
Meh. Next time I feel like watching another stop-motion show from Anderson, I'll watch the infinitely superior Fantastic Mr. Fox again.
Posted by zdorama @ zdoramaagain.blogspot.com

Thursday, July 5, 2018

Just Finished "Sputnik Sweetheart"

...and can't say I was too impressed by it. A lot of the themes in this I'd already read in other novels: The idea of a Miu being only "half" of her whole (like Nakata in  Kafka On The Shore), the narrator looking at the moon and taking comfort knowing that the one he loves is looking at the same moon (like Aomane and Tengo in 1Q84), etc.
In my opinion the story seemed so loose. The narrator doesn't even seem to react with much feeling when the love of his life disappears, never to be seen again. A sub-plot with his student getting picked up for shoplifting...why was so much detail put into that arc?
And that ENDING... I mean, I can make my own assumptions of what it means, but really when it ended I was like "Huh???" Argh, Murakami, sometimes you too frustratingly vague.

Edit: Just finished "Hard Boiled Wonderland and the End Of The World", and that was much, much better...In fact, it was pretty great!
Say, only have to finish "Wind/Pinball" and I've read all of Murakami's novels! Never thought i'd accomplish THAT one!

Sunday, July 1, 2018

Utada's "Hatsukoi" is Here!!!

I was just about to run out and do my errands for the weekend when i saw my copy of Utada Hikaru's new album 'Hatsukoi" had just arrived in the mail from CD Japan!
I ran back in the house, turned back on my computer, ripped the CD and loaded it up to my Ipod so I could listen to it on my night ride home!
Well, just came home from my very first spin with Hatsukoi and the Utada we know and love is back and as awesome as ever! Gonna be spending the next few weeks soaking in this one!