Thursday, December 20, 2007

Favorite J-Pop Singles: Zard / Anata wo Kanjite Itai

Another terrific single off of that first J-pop mix I got, (and truthfully, when you consider that that tape was the thing that more or less INTRODUCED me to the world of J-pop, pretty much EVERY song on that cassette is gonna be a certified “fave”!) “Anata wo Kanjite Itai” was the very first song I ever heard from the beautiful stylings of Izumi Sakai and ZARD, a group (or artist, whichever) that would go on to become one of my favorites!
ZARD always seemed like a mystery to me- I never saw them performing on any of the TV shows I watched, and even their CD covers all had this very vague look to them, complete with washed out colors and that famous ZARD logo, but I remember wanting to know more about them! At the time, Zard’s  sixth album FOREVER YOU had just come out, but a guy at work made copies of  his  ZARD albums  Oh My Love and Yureru Omoi  which became the first albums I heard, and they were in fact the first non-CoCo j-pop albums I listened to!
When I first heard Anata wo Kanjite Itai, I figured ZARD to be a kind of dreamy, poppy type of band, but listening to Oh My Love and Yureru Omoi, found they really touched upon all genres of music, from gentle love songs to Beatlesy tunes to almost hard-rock!
By the time TODAY IS ANOTHER DAY came out, ZARD was just about my favorite group, and I remember those days of frantically trying to trace down each and every album and single release! And boy, in the days before the internet, IT WAS HELLA HARD!!!! Ah, but boy, was it worth it!!!

Tuesday, December 18, 2007

Favorite J-Pop Singles: DEEN / Love Forever


When I received my 5th J-pop cassette Mix from my friend in April of 1996, I was blown away by not just one but two new Hirose Kohmi songs, two new Mr. Children songs, and a couple of songs from a cool rockin’ band I’d never heard before, DEEN! What a terrific group this was!

In a way it was like getting a crash course in DEEN goodness because the two songs that opened up side two of that cassette mix were just about their best songs ever: the catchy whimsical HITOMI SORASANAIDE and the dramatic rock ballad LOVE FOREVER!

Lead Singer Ikemori Shuichi’s vocals always sound great, and I have to say that in LOVE FOREVER, they’ve never sounded better, especially the parts that are double tracked and he’s harmonizing with himself! And that B-GRAM music style of the band sounds so much like ZARD, it almost feels like he’s subbing for Izumi while she takes a breather!

PS: Picked up DEEN’s greatest hits package KISEKI, and was shocked to find out that these were NEW versions of Hitomi Sorasanaide and Love Forever!!! Gack! Lucky I kept my hands on those original singles!!!

Thursday, December 13, 2007

Favorite J-Pop Singles: Tamura Naomi / Yuzurenai Negai

Incredible single from Naomi Tamura, the lead singer of kick-ass rock group PEARL (which featured some prolific musicians like Carmine Appice of Vanilla Fudge fame and Tony Franklin) with her solo outfit!
The first time I saw her was on this Music Station special, and I was floored by her powerful voice. The song was “Yuzurenai Negai”, a song I would later see her do on that year’s Kohaku as well! What a Gal!!!

Naomi made a few more rocking singles, and then, strangely enough, I suddenly stopped hearing from her after that! I DID notice Tower Records started carrying various PEARL Cds after this…did the group reform, cutting Naomi’s solo venture short?

Anyway, here's Yuzurenai Negai to wrap your ears around...let the rocking begin!

Monday, December 10, 2007

Favorite J-pop Singles: Mr. Children / Theme of "ES"

My friend Dave made a cassette tape for me that ended with this incredible, epic song from Mr. Children. What a perfect closer to any compilation! Although he'd already introduced me to the music of Mr. Children on an earlier mix with their peppy single See-Saw Game, it was the "Theme of ES" tune that really caught my ear!

A song that starts off silently, with only an acoustic guitar strumming along with the vocals, as slowly, elements enter the song, violin strings, a VERY George Harrison-ish guitar refrain, all building up to a big finish that segues into a gentle ending...

But...what the heck is “ES”, anyway?! Was it some show or something?