Showing posts with label aibu saki. Show all posts
Showing posts with label aibu saki. Show all posts

Monday, December 9, 2019

Kahoko Grows Up: Mitsuki Takahata as Sakura Kitano in “Douki No Sakura”

Playing another one of her wonderfully addled characters, Mitsuki Takahata instantly endears with her portrayal of the precious Sakura Kitano in the sweet and touching "Douki No Sakura" (Our Dearest Sakura)!
As a child living on the small island of Misaki in Niigata, Sakura’s parents passed away trying to cross the waters during a typhoon to get to the hospital, and she grew up being raised by her Grandfather. 
Though she is well cared for and loved, she has led a lonely life, with her being the only child in her classes, and thus her social skills have something to be desired. Her demeanor is clipped and precise and she bluntly tells everyone precisely what she is thinking, leading most to stay away from her. 
But despite her standoffish appearance, she has two dreams she hopes to realize: To see a bridge built across the Niigata waters to her island and hopefully experience friendship and camaraderie while living in the big city!
She has joined the Hanamura Construction company in order to realize those goals, but she is off to a rocky start  when her first actions are to correct the CEO of the company during the orientation speech! The blunt Sakura doesn’t see what she’s doing as something wrong- she was merely pointing out errors in his speech and constructively trying to make his speech better, buy her co-workers are appalled!
These include Aoi Kojima (Mackenyu Arata),
Yuri Tsukimura (Ai Hashimoto),
Kikuo Shimuzu (Ryo Ryusei),
 and Rentaro Doi (Amane Okayama)
...all of whom are apprehensive to say the least when they find they have been put into one team under the odd-duck Kitano’s leadership!
Though Sakura is passionate about her job and has a laser focus on what she wants to do, she is terrible at human relations and is unable to read the atmosphere of her co-workers’ concerns. 
 She is constantly pushing them into things like meetings after work...
...projects on their days off (where they find that Sakura has an eccentrically old-fashioned sense of style, LOL)
...and redoing designs over and over, all of which leads to a blow up where Tsukimura tells Sakura off for being so single minded about her work and quite frankly tells her that none of them consider her a friend.
This takes Sakura aback, as she has always thought of them as a team who were all on the same page. But with Tsukimura’s harsh critique, Sakura withdraws for the day and for the first time doesn’t leave with a rousing “See you all Tomorrow”.
But an encouraging fax from her grandfather (He doesn’t like to talk on the phone and so he and Sakura communicate by written messages via fax, so cute) tells her that he is proud of her and reminds her that there are things that only she can do!
With that in mind, Sakura goes back to take on the project, and through her perseverance, her four teammates ultimately find that Sakura’s heart is in the right place, and with her guidance and tenacity, they will find that with her they can grow to be the best they can be!
Most of the drama is told in flashback, chronicling the early days of the five employees of the construction company as they work their way up, and it is a very bittersweet tale because in the present day we find that while the four of them have begun their journey towards their dreams, Sakura herself lies unconscious in a hospital bed.
Oh man, this was one very, very melancholy drama to sit through, and as the drama opens with the bedridden Sakura, every flashback scene is seen through sombre eyes, and I was teary eyed for most of the show’s 50 minutes! A very emotional drama, but one that really touched me and hope to continue watching to see exactly how the story of Sakura Kitano plays out!
Also nice to see old school actors like Kippei Shiina and Aibu Saki playing the company's long-suffering supervisors to the team of struggling newbies!
In lots of ways, Sakura Kitano could be the grown up version of Mitsuki Takahata’s sweet and adorable Kahoko Nemoto in the cute Kahogo no Kahoko series, both looking at the world with wide-eyed innocence and shy inexperience as well! (in fact, both the screenwriters and directors worked on Kahogo, so it makes sense!) Takahata mastered the quizzical  “blank look” face in Kahogo and she uses it with masterful execution with her Sakura character as well!
Funny how Mitsuki Takahata played such a sexy and savvy girl in “Itsuka Kono Koi wo Omoidashite Kitto Naite Shimau” because once she adopted the role of the sweet and naive Kahoko Nemoto in Kahogo no Kahoko, it seems like she found THE character type of her career!

Saturday, November 12, 2016

A Double Dose of Yoshida Yo

Regular readers of this blog know of my drooling attraction to svelte, sexy and stoic actress Yo Yoshida and it looks like the time has really come for her fans as we’ve got not one but TWO excellent dramas showcasing her awesome acting sensibilities!
First up we’ve got “Medical Team Lady Da Vinci No Shindan” which from the get go reminds me a lot of the Maki Horikita drama “Higanbana” with its’ crackerjack team of eccentric yet excelling women, only in this show it isn’t a police station where the girls do their detective work, but though the operating rooms of the Hospital.
Yoshida plays a neurosurgeon named Shiho Tachibana who withdraws from practice when she begins having fainting spells. She is then approached by an old colleague named Kitabatake Masayuki (Takahashi Katsunori) who says he is creating a super-team of doctors who can “Solve medical problems on one else can”.
She agrees to join up, but when she gets there, she finds that the rest of the team are cold and  unfriendly to this new outsider and it is only once she shows the others how capable she is do they grudgingly accept her.
The team is led by Yoko Iwakura (Ran Ito), a celebrity surgeon who even has her own television show who is used to being the center of the team, she and Tachibana will butt heads on more than one occasion!
We’ve got Aibu Saki in another one of her “Bitchy chick” roles (hmmm, seems she’s been playing a lot of these lately) as Yukino Nitta, a girl who is reserved and yet fascinated by Tachibana..
Pretty Yuko Fueki (whom you may recall stunned me with her looks way back in Otenki Oneesan) as Iwakura’s gushing second…
Satomi Ai (Kumiko Shirotori), a no-nonsense member who seems to ignore the power playing amongst the head doctors and just does what is need.
Saori Takizawa in yet ANOTHER one of her “man-hungry over 30 woman” roles, still looking as luscious as ever, as Yui Uematsu. Man, who would have thought Saori could make an entire career out of playing these desperate ladies? 
…and finally we have cute and cuddly Riho Yoshioka as Ayaka, the girl chosen to be Tachibana’s assistant and befuddled partner in crime.
Together these women team up to solve the hospital’s more bizarre cases, using their extensive knowledge of maladies, expert footwork and a whole lotta spirited speculation.
And then we’ve got a lot darker murder mystery type detective show featuring Yo as an able detective in the Japan remake of the successful American detective show COLD CASE.
As usual for WOWOW, this is a detective show that is a LOT darker than others, every scene seems to be drenched in this sickly greenish blue tint making everything seem bleak and dour, and from the get go things are grim, grim, grim.
In this show, Yoshida is once again heading a team of crackerjack agents, only this time they are gruff, seasoned detectives whom look upon this wisp of a woman as a curiosity more than a prime leader in her field, but they do work together to get things done.
First we have Tomokazu “Mr. Momoe” Miura as the head of the Cold Case department...
Mitsuishi “He Always plays the Dad” Ken:
Kenichi “That guy from Hanzawa Naoki” Takito...
..and Kento Nagayama as the young man assigned to the team who HATES having to work under a lady, LOL!
Like the CBS Cold Case series, this drama deals with a team assinged to solving old unsolved cases using modern CSI technology that didn’t exist back then to bring the criminals to light, and I was tickled when they showed a flashback to 20 years ago and the song they chose for the scene was “Namonaki Uta” by Mr. Children…GADS, has it been 20 YEARS already? LOL
So far I have to say I like Lady Da Vinci a bit more than Cold Case- not only is it a lot brighter in both tone and actual color, but Yoshida is allowed be goofy and cute, usually executing her detective work with a mischievous twinkle in her eye:
With Cold Case, it is so dense and so serrrrioooouuuusssssss.... I think y0u can easily see the "mood" of both shows by simply taking a look at these two screencaps!
Additionally, Cold Case is so similar to other generic Japanese Detective dramas, one wonders why they felt the need to secure the licensing for it. Wouldn’t it have been easy enough to create a cold case series of their own? I mean, it’s not like CBS has the lock on the cold case theme, even Aya Ueto’s Zettai Reido used the similar format of old unsolved cases resolved through modern means, right? 
Ah well, no matter what, i'm definitely gonna be watching both of these wholeheartedly, after all, more Yo Yoshida in my j-drama viewing life is ALWAYS a good thing!

Posted by zdorama @ zdoramaagain.blogspot.com